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Place + Making

elements

I grew up in small Midwest towns, spending summers on my grandparent’s farm with
people who noticed the world. “Look at that” I’d hear, and be directed to gaze at elements of the landscape we were standing in.

that bark, that shadow, that bird, flower, tree, that dappled dancing light on the water.

I built a visual vocabulary by noticing and selecting what my eye loves.
These teachers were also makers, but that’s another story.
My challenge and constant endeavor is to come close to having my makers hands adequately express what my eye adores.
40 years of practice has helped. I have heard viewers say of my work,
as a gallerist did the other day: “It captures the mood as well as the visual–lovely!”

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January into February

In the new year I sit at the window                              

 studio #303

of my warm studio looking at
a cold dessert in a built landscape.
The plants where I live have died back
or gone dormant.
It’s a waiting time.

It’s that quiet space in my year
when the new work shows up.

I gather my materials, my sketches, my photos of the green world. I add to them my curiosity, my concerns, my feelings, my itch to make something of all this.  

Materials

I pile them all on my big white tables, piles of texture, piles of color, drifts of ideas. Then add the threads, my continuity. The new work is tied to the old work, always by love of place. And, love of a sort of dancing line and the light, light, light, always present in my world.
I am always looking for a fresh way to express it in my work.

relationship

 

 

 

 

 The finding begins, & images emerge.

Aspens

 

 

 

 

 

 

There more is to come. I am building a show to open on Earth Day April 22 @ the Carriage House 3rd floor gallery in NE Minneapolis. The show opens on the same day as the Scientists March on Washington. The images that are perking up are from my autumn visit to the Carlos Avery Wildlife Management Area near Forest Lake. A place where science & nature meet to understand and preserve our environment.  I begin again in the cycle of my creative year. 

 

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Surfaces that speak of the Earth.

fiber and paper creating
Surfaces that speak of the earth, my art is made of layers.

 

 

Each layer a surface I have created.
I use water, pigments, & fluid dynamics.
The weave of the cloth, the tooth of the paper, each accepts, or resists,
shaping the marks.
Compression, heat, evaporation, & chemistry, make their impressions.
My art is made of surfaces invoked by process,
then composed in layers by an attentive eye.
To show you what I see: Earth.
Her systems make beautiful change on her surfaces daily.
Just look. 

I share my experience with process and creating in two classes I teach each winter.  Jump here  right now to get the details! They start next week! 

 

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Winter Care Event Dec. 10, 10 am – 6 pm

Just be You. You are Perfect. You are Enough. You are Invaluable.
Come share the wine and art.

water image
Water Movement

It’s live!
The art that I’ve created for this special Winter Care Event
is available on my shop.
The studio and gallery are cleaned and hung with Art Work
The table is set for art play: Mandalas at 11:30 , 5 x 7 pour the paint @ 3:30
The wine is bought,
the nibbles are being baked by people earning a living wage.
Fluffy snow has been predicted,
but we have hot coffee
to drink as you gaze at it.

nuthatch
Change is made easier with good company
and beauty. Come find some of both
On Saturday Dec, 10
Studio 303 1720 Madison St NE
Deborah Foutch

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Winter Care

Change. We have had the most wonderful long gold light autumn. Now, suddenly snow and short days.The holidays are upon us, joyful but hectic, and less welcome change. All of this has me thinking we need to take care. I make things that express the beauty I find in the natural world. On December 10 I am having an event at the studio where I offer this work to you as part a relaxing day with food and art activities.  
I’ll post the schedule soon for Winter Care at the Casket Arts Carriage House 10 am -6 pm  studio 303 

winter bird drawings
The Little birds that stay with us all winter, the real Snow Birds

 

 

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The Right Combination

We live in the midst of beautiful interconnected systems, both in the sunlight world and underground. I love finding the right combination of materials to express that beauty with some understanding.  I was interviewed by Brian DeVore for the Land Stewardship Project news letter and podcast here’s the interview: http://landstewardshipproject.org/posts/podcast/886 look for Ear to the Ground 185 Soil Art

Transformation
Transformation

My sense of line, light, and space is deeply informed by the natural world. In my most recent work I am trying to remain faithful to the scientific truth of the systems I’m exploring visually.
Experience as an expressive artist plus some basic earth science lets me compose layered art pieces that have both a visual and emotional resonance.